Reviews
entertaining in the best sense and, thanks to Lindberg’s effortless virtuosity, a thrilling experience."
Die Presse
of exceptional quality.
Okuda Yoshimichi
Ich denke Dein... is a stunning example of twenty-first century lieder, and Larsson an equally spectacular interpreter.
Lisa MacKinney
LIMELIGHT - Australia's Classical Music and Arts Magazine
At least in Finland, one can only be amazed at how Martinsson had both the guts and the skill to write like this.
Wilhelm Kvist
by Wilhelm Kvist/Hufvudstadsbladet
Open Mind was full of grand musical gestures
Kay Kempin
Bachtrack
Martinsson’s musical language is firmly tonal and melodic, the orchestration (for strings only) repeatedly lush and welcoming, matching the soprano line perfectly as one complements the other.
Simon Thompson
Music Web International
The reaction of the audience and the warm embrace of Larsson and Martinsson had me hope for future collaborations of this Swedish duo..."
Katharina Hogrefe
Bachtrack
Her singing and performing were both totally captivating.
Hanna Laulajainen
Kaleva
Rolf Martinsson’s trumpet concerto Bridge is a phenomenal piece of music
David Karlin
Bachtrack
The productive master of orchestration Rolf Martinsson is something of an outsider in his home country as well as in a wider perspective.
Mats Liljeroos
Hufvudstadsbladet, Helsinki
A romantic aura, ecstatic culminations, colorful instrumentation, the splendor of virtuosity, have provided an international fame to his works.
Polish reviewer
MULTIKULTI PROJECT
A remarkable disc in several ways. (...) I’m sure that in Lisa Larsson’s interpretation these five songs will win many hearts.
Adrian Quanjer
www.HRAudioio.net
This record must thus be described as very successful, with attractive music of a sophisticated composer whose music is directly accessible.
Remy Franck
Pizzicato - Remy Franck's Journal About Classical Music
(...) the soloist (...) Elizabeth Llewellyn whose radiant soprano both soared effortlessly and floated with sublime gentleness, luxuriantly bathed in a kaleidoscope of instrumental textures and colours.
Claire Seymore
Opera Today